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Showing posts with the label film review

The Bigamist

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  Starring Joan Foutaine and Ida Lupino, who also directs, The Bigamist spends most of its time explaining how traveling salesman, Harry Graham, played by Edmond O'Brien wound up married to two women. A commenter on IMDB captures the plot well writing: Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of traveling from his home in San Francisco to Los Angeles. Harry gets tracked down in LA where he has a second wife and a baby. Via flashbacks, Harry tells the adoption agent how he ended up in two marriages. Source: IMDB.com Harry's second life is revealed by the adoption agency head played my Edmund Gwenn, who's most known for playing Kris Kringle in  Miracle on 34th Street.  I thought the film would show more of how the women reacted to their husband's other marriage and how he got into the courtroom. Instead the majority of the film is...

The Sword of Doom (1966)

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  I thought Jef Costello of Le Samouraï was the most cold-blooded killer in film but that was till I saw The Sword of Doom. A Japanese film set in the days of samurai, The Sword of Doom introduces viewers to Ryunosuke, a lone samurai. The embodiment of evil, Ryunosuke kills and rapes for something to get an advantage. Despite the masterful, choreographed sword fighting It’s hard to watch. I hoped that Toranosuke, a master who led a school for samurai, would vanquish Ryunosuke and that hope carried me through this film. It’s no exaggeration that Ryunosuke is pure evil with no redeeming quality. He killed dozens with no remorse. He shows no chivalry whatsoever. He breaks a promise to the wife of a samurai he fights, rapes her, and her husband then divorces her. She winds up stuck living with Ryunosuke, who treats her badly, but then again that’s how a sociopath treats everyone.   The cinematography is striking as is the choreography of the sword fighting. Even though Ryunosuke ...

Film Review: Le Samouraï

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Icy and aloof, hitman Jef Costello enters a night club, surveys the room, smiles at the chic woman playing the piano, proceeds to the back office and shoots a man. We don’t know the reason for the hit and we never do.  The police are called and haul Jef and some others in for questioning and a line up. Some  witnesses’ think Jef is the one and and others insist he isn’t. The piano player knows he did it, but tells the police he didn’t. Why does she do that?  Though Jef has ice water running through his veins, a beautiful redhead agrees to give him an alibi and she sticks to it. The police sense she’s lying but even when they ransack her apartment, she sticks to her story.  Jean-Pierre Melville’s classic Le Samouraï doesn’t feature any samurai’s. In fact, compared with Kurosawa’s or Tokuzo Tanaka’s samurai, you wonder what’s going on? Where’s his posse? Jef Costello is a loner par excellence, a ronin (i.e. a samurai without his feudal lord). Yes, up the chain J...